Answer: It suggests the sea has finished a performance and is resting. The image makes the tide's retreat seem graceful and gentle, and it hints that the sea will return, as dancers return for another show.

Answer: The pools shine and glint in the light like eyes, which makes them seem alive and watchful. It invites the reader to look closely, just as the pools seem to look back.

Answer: It suggests quick, nervous, sideways movement, which fits the word shy and makes the crab seem small and timid.

Answer: ABAB: shore / more (A), bows / now (B). (Bows and now are a half rhyme, a near match of sound.)

Answer: It has only two lines instead of four, and the lines do not rhyme (in / mine).

Answer: The shorter, unrhymed ending breaks the pattern, just as the sea will soon break the quiet. It also makes the last line, But for an hour, the shore is mine, stand out as a calm, personal conclusion.

Answer: stanza → a group of lines in a poem, like a paragraph; rhyme scheme → the pattern of rhyming sounds at the ends of lines; half rhyme → words with similar but not identical sounds; tone → the attitude or feeling conveyed by the poem

Answer: They found quiet and tiny worlds in the rock pools. This suggests the theme that beauty can be found in small, overlooked things if we are patient enough to notice them.

Model answer: The poem "Low Tide" suggests that patient observation reveals beauty that others might miss. The opening personification of the sea, which has "stepped back from the shore" like "a tired dancer" at the end of a show, presents the tide's retreat as the end of a grand performance and shifts the reader's attention from the dramatic waves to what is left behind. The simile "Rock pools blink like open eyes" makes the pools seem alive and watchful, inviting the reader to look as closely as the speaker does. The metaphor "small worlds" then elevates the rock pools, suggesting that each hollow contains a whole life of its own. Structurally, the poem's steady rhyme gives way in the final stanza to two short, unrhymed lines. This change slows the reader and gives weight to the closing line, in which the speaker claims the shore "for an hour" with quiet joy. Through these choices, the poet shows that the smallest details can offer the greatest rewards.