Story Openings That Hook the Reader — Answers
Answer sheet with model answers and success criteria for the 7th Grade narrative writing worksheet.
Story Openings That Hook the Reader — Answers
Part A: Name the hook
A hook is an opening that grabs the reader and makes them want to read on. Circle the type of hook each opening uses.
- Adialogue
- Baction
- Ca question
- Da surprising statement
- Esetting description
Answer: dialogue
The story starts with a character speaking, and the warning makes us wonder what is in the box.
- Adialogue
- Baction
- Ca question
- Da surprising statement
- Esetting description
Answer: action
The story begins in the middle of something happening, so the reader is pulled straight into the scene.
- Adialogue
- Baction
- Ca question
- Da surprising statement
- Esetting description
Answer: a question
A question speaks directly to the reader and makes them want to know the answer.
- Adialogue
- Baction
- Ca question
- Da surprising statement
- Esetting description
Answer: a surprising statement
The unexpected detail makes the reader ask how and why, so they keep reading.
- Adialogue
- Baction
- Ca question
- Da surprising statement
- Esetting description
Answer: setting description
The vivid setting creates a mysterious mood before any character appears.
Part B: Judge the opening
- AThe phone rang at three in the morning.
- BI woke up, got out of bed, brushed my teeth and had breakfast.
- CNobody in our town had ever seen the old lighthouse lit, until last Tuesday.
- D"Run!" Kai yelled.
Answer: I woke up, got out of bed, brushed my teeth and had breakfast.
Waking up and following a morning routine is a very common, slow start. Nothing happens to make the reader curious.
Answer: Who lit the lighthouse? Why was it dark for so long? What happened last Tuesday? (Any two sensible questions.) A good hook makes the reader ask questions that only the story can answer.
Answer: It drops the reader into a moment of danger. We do not know what Kai is running from, so we read on to find out. Short openings can create urgency.
Part C: Fix the opening
Avoid opening with a list of facts about the narrator or with waking up. Drop the reader into the story instead.
Answer: Model: Sam pushed through another wall of ferns and stopped. The path was gone. Behind him, the trees looked exactly the same in every direction. (Any opening that begins in the middle of the action is correct.)
Answer: Model: "I'm sure the path was right here," Sam muttered, turning in a slow circle. Only the birds answered. (Any opening that begins with speech that hints at the problem is correct.)
Answer: Model: Wind howled through the broken fence, and the single streetlight flickered on and off as if it were trying to send a warning. (Any opening that shows rather than names the scary mood is correct.)
Part D: Your turn
Model answer: Idea (a). Dialogue: "Where did you find this?" Gran asked, holding the brass key up to the light. Her voice had gone very quiet. Action: Jamie tried the key in the front door, the back door and the garden shed. It did not fit any of them, but every time he held it, it felt slightly warm. Surprising statement: The key arrived in an envelope with no stamp, no address and my name written in my own handwriting. Strongest: The surprising statement, because it raises the biggest question: how could someone else have my handwriting?
Success criteria:
- Three distinct openings for the same story idea
- Three different hooks, each correctly named
- Each opening raises a question or creates curiosity
- Avoids slow starts such as waking up or listing facts about the narrator
- A clear reason is given for the strongest opening
Marking tips
- Give credit for correct method even when the final answer slips — the working shows where the thinking went right.
- For open-ended tasks, use the success criteria as a checklist rather than looking for one "right" answer.
- Celebrate what went well first, then pick one thing to work on next.