Imaginative Writing: Voice, Structure and Craft
A guide to the craft decisions that senior English markers reward in imaginative writing: a distinctive narrative voice, a deliberate…
- Difficulty
- Level 2 · Standard
- Time
- 30 min
A senior narrative writing worksheet on dialogue that reveals more than it states. Students study an original model scene in which a father and daughter talk about moving house while avoiding their grief, examine subtext, action beats, objects and silence, revise flat, on-the-nose dialogue into dialogue with tension, and write their own scene. A model and marking rubric are included.
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Curriculum: New Zealand Curriculum. We show specific outcome codes only where they have been verified against the official curriculum document.
Completed: Writing Dialogue with Subtext: Show What Characters Do Not Say
Year 12 students (typically ages 16–17) working on narrative writing. It is pitched at level 3 · challenge.
Yes. The PDF includes a full answer sheet with model answers and success criteria where there is more than one good answer. You can also view the answers online.
About 45 minutes for 11 questions. Short, regular sessions work best: two or three a week beats one long one.
No. Click Download Free PDF and it opens immediately. It is free for personal, classroom and homeschool use.
Try Creative Writing from a Stimulus.
Name
Date
Score /
If your characters say exactly what they feel, the reader has nothing to do. Let the important things live between the lines.
Circle the best answer.
Read the model scene, then answer in full sentences.
Model scene: The Spare Key (original, approx. 280 words)
Her father was already at the kitchen table when Maya came down, a mug of coffee going cold between his hands.
"You're up early," he said.
"Couldn't sleep." She opened the fridge and stared into it without taking anything out. "Did you eat?"
"I had toast."
The plate beside the sink was clean and dry. She closed the fridge.
"The moving truck comes at ten," she said. "I've packed most of the boxes. The ones in the hall are to give away."
"The blue chair isn't going."
"Dad, it won't fit in the new place. We measured."
"It isn't going." He turned the mug a quarter-turn on the table, then another. "Your mother reupholstered that chair the year you were born."
Maya sat down across from him. Somewhere down the street, a dog barked twice and stopped.
"Okay," she said. "I'll take it off the list."
He nodded, but he did not look up. After a while he reached into his shirt pocket and put something on the table between them: a small brass key on a loop of faded red thread.
"For the new place," he said. "So you can let yourself in."
She picked it up. The thread was soft from years of handling. It was the same thread that had hung from the back door of this house for as long as she could remember.
"You'll need to get a new one cut," she said, and her voice did something she had not planned.
"I know," he said. "I just wanted you to have that one."
Preview — the PDF contains the full resource and answer sheet.
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